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between desolation and renaissance, to install a vegetal flow and
carry waste, a manner to go into the ambiant recycling and to conjure
the jinx Artist's residence of Artois Comm, Béthune, Pas-de-Calais On an industrial waste land, on the village of Gosnay, France Context Dates: 2007-2008 In situ: site taken into account, about 300 x 300 m - Cast about 163 m of long, and between 2 and 43 m of width Devices years 1&2 A plant casting was covered with firewood, with scabbards of protection rabbits and roebuck, of abandoned bottles and of let us break of brick and concrete in the west axle - the ancient Carthusian monastery of the women of Gosnay is of the waste land Carbolux, between Emmaüs Artois and. 7 panels on both sides with plan of the site and centrifugal views put down on perimetre A bet in light of the environmental installation by means of solar lamps, as way of revealing possible zones of remaining pollutions after the cleanup of the waste land Carbolux 2007-temporary Exhibition in n°10 of the ancient city of the Castle of the Ladies, composed of 10 stones (among which exotic one bringing back); 1 bundle of firewood of products of size; 13 documentary evidences (11 bushes, 1 bundle of firewood of found bushes torn off or died on the site in July / August, 1 bowl of ribbon of construction site); 1 group of photographs 30x45 cm and 50x75 cm. 2008-temporary Exhibition on the ground floor of Porterie of the ancient city of the Castle of the Ladies, taking back the previous exhibition augmented by new documents; a poetic performance of Nathalie Blanc; a sound installation of Amaury Bourget, a photographic assemblage of Medhi Hanai. Materials Let us break (production for BTP) of the firm Vibromat in Noyelles-les-Vermelles and Chimneys Philippe in Béthune; rubbles of the waste reception centre of Béthune, via the sand quarry STB in front of the site of the Carthusian monastery; firewood (bushes and branches) of the planting of EPF on the flat slag heap; scabbards of protection rabbits and roebucks on aforementioned planting; bottles left in aforementioned planting; planting in about 2007 850 bushes coming from nursery gardens of Haendries: Buddléia, argousiers, olive trees of Bohemia, wartlike birches, willows marsault, brooms with brooms, furzes, prunelliers, eglantines, male and blood dogwoods, lantane viburnums and obier, spindle trees of Europe; in 2008, by CEDATRA of Ruitz with about 230 bushes as a supplement to previous, introducing between other one of the alder, of the black elder, of the common willow and of the troëne. Collaboration years 1 and 2 Arnaud sergeant, Graphic designer; Arnaud Debève, stage design of the first exhibition; Didier and Natacha Gaujon, Christophe Blondeel, Sebastien Coppin, Anita Faille, Samuel Gaujon and Didier Noël de l' Association This manages!; Helen, Sandra and Armelle, trainees to CAUE 62; the pupils and the teachers of the primary school of Gosnay; Hervé, Jérôme and Romuald, Yves, Laurent and Pascal de TTS; CEDATRA of Ruitz with Eric and his team; Rogier Potier; Teddy and Philippe de la Sablière of STB; services transport of the waste of Artois Comm.; Olivier Pecqueur of SIG of Artois Comm.; Michel Abdellah, eco-guard of Artois Comm.; Jacques barber, joiner; SEPTEMBER for they against collages of documents about panels and AGELIA for the printing of documents; the club of history of Beuvry for the loan of supervision; Alain Aubry, Philippe Jourdon and Clement Bruni for the assistant to the realisation of the solar lamps; Michel Georgieff, architect landscapist; Nathalie Blanc, sociologist and artist; Amaury Bourget, artist sound fitter; Medhi Hanaï, photographer and taker of sounds; «the Apple to make everything» and Ann Giraud, critic of art.
Having
registered in a large programme of rehabilitation and of
requalification of the site in escheat, the presence of the artist
opens the way to a new occupation of soil. Gilles Bruni inaugurates a
respectful exploration of the places which settles on the understanding
of the intimate story of the site and leads to an energising plastic
proposal. |
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