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Installations
The
encampment
Artist Residency Artois Comm. Ciity of the Electricians, City of Bruay-la Buissière, Pas-de-Calais, France
Introduced during event "Courant September" before closing for rehabilitation. Tuesday, September 10th - Friday, September 20th, 2013 City of the Electricians
Context
Situation: an ancient miners' terraced houses in the city of Bruay-la-Buissière.
Dates : 2012
& 2013
Materials:
recycled sheets, cordage, horticultural stakes, hardware shop, iron in
concrete, thread with sewing, containers, gas burners, vegetables
collected, cut, cooked or beaten, garden hoses, water, soap, iron
sulphate, alum, various vegetables, chairs and tables.
Device:
three tents-workshops with tables; from clotheshorse with dyed sheets;
of the furniture produced from palettes; a carin transformed into drier
of dyed sheets and of papers; a carin drier with plants and of
collections of dried plants, of papers and dyed cloths; group of
footprints of plants on sheets, stapled on openings of a building.
Dimensions of in situ: installations divided in a rectangle about 40 m x 16 m. Height maxi: 2,5 m.
Participations in workshops and in
installation of the encampment: Sébastien, Marcel, Frédéric and the
technical services of the village; Christine, cultural city service;
two groups of Epistème from Bruay-la-Buissière; AMAP «The basket of
Mary Groëtte»; garden Sylvain of the «Fields of Ialou» from village of
Bours; Michel, ecoguard of Artois Comm.; Gaëlle, producer of aromatic
and curative plants, dryer of the Haute-Planche village of Bourbourg;
Steven, journalist; Emilie Schartz, trainee; Clément Bruni and Medhi
Hanai assitants.
Commentary
«The premises of this job began with reflexion led in 2011 with
François Andès (other guest artist to come to work in this place), then
became rich according to accompaniment in the field of Christine
Mayeur, to the cultural service of the City of Bruay.
I consider this job of the Encampment to be group of forms and of
actions worked out in the course of time. These feed on elements found
in the site and on people whom I meet there.
If the principle of the Encampment registers emergency to invest a
place which avoided me (of what's-goes and that is hopelessly tried to
save as soon as the City of the electricians becomes a construction
site of rehabilitation), pressure made pay attention to a present
vegetation around one. The banal became precious, the common became
worthy of interest. The job of inventory was born. It is the first form
chosen, by circumspection, and to feed my imagination.
This approach in the field is recovering from a logic which resembles
that of «searches of rescue» (in reference to preventive archaeology)
where l' collects, are done stocktakings – it is the idea of an
emergency to be made. They study that then the site as the place which
is going to be confused, not only as lived place, but also as ruins who
was reinvested by the natural dynamics of the waste land…
The
idea of a camp, nomadic in its principle, appeared out of necessity, as
one " work in progress ", just like a practice of exploration of this
abandoned city of the electricians taken as relic. This camp is
necessarily progressive and relocatable in its principle. Everything
remains precarious, the time of an installation there to explore the
site.
Different
investigations lead to create research areas by the manipulation of
plant material. These want to reveal manners and sometimes ancient
practices which could release from an ethnobotanique (such curative or
culinary applied plant, sometimes transported by populations migrants,
then finally left, becomes again a more or less intrusive "wild", as
Egopode podagraire).
Empirical
knowledges a pleasure is born to be made, to practice the vegetable
under different aspects. Groups are then invited to become actors who
give life to areas used as workshops, in the form of tents born in the
principle of this clotheshorse which it was possible to see before in
gardens.
I
wanted three workshops to test transformations of vegetables harvested
on place and surroundings, under culinary form, production of papers
and of tinctures by footprint or baths…
Productions
are then a systematically lined up, stored, or even labelled in devoted
areas: carins dressed in shelves, indoors or outside, in ways of
leaving stores in areas where they lived then they left…
Imagined that these productions would be used under various forms of
consumption or of preservation, of exhibition and installation, with
stages of drying and of tidying up in form of accumulation and of
repetition of which a video gives an account besides the short instant
of opening in the puplic during the event "Courant September" which
allows to wander of this peculiar place before disappearance.»
Gilles Bruni, may
2013, Bruay-la Buissière
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http://vimeo.com (oline the 09/06/2015)
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